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Runo Lagomarsino

Malmö, b.1977

Runo Lagomarsino utilizes poetic imagery and irony in his practice to reflect on the deeply rooted Eurocentrism that still exists today. His recent work explicitly confronts the history of imperialism beginning with Columbus, documenting its origins in European lust for gold and showing the resulting exploitation. Lagomarsino’s powerful work illustrates...

Runo Lagomarsino utilizes poetic imagery and irony in his practice to reflect on the deeply rooted Eurocentrism that still exists today. His recent work explicitly confronts the history of imperialism beginning with Columbus, documenting its origins in European lust for gold and showing the resulting exploitation. Lagomarsino’s powerful work illustrates the raw violence that remains beneath the surface of the ocean. The artist takes pains to show how the ocean has historically functioned as a threshold promising new possibilities for immigrants, but that today, it is often an impenetrable barrier confronting exhausted refugees.



All images copyright on Runo Lagomarsino...

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Biography

Runo Lagomarsino utilizes poetic imagery and irony in his practice to reflect on the deeply rooted Eurocentrism that still exists today. His recent work explicitly confronts the history of imperialism beginning with Columbus, documenting its origins in European lust for gold and showing the resulting exploitation. Lagomarsino’s powerful work illustrates the raw violence that remains beneath the surface of the ocean. The artist takes pains to show how the ocean has historically functioned as a threshold promising new possibilities for immigrants, but that today, it is often an impenetrable barrier confronting exhausted refugees.



All images copyright on Runo Lagomarsino



(1st)Photo by Andreas Meck and Terje Östling, provided by Kukje Gallery, Seoul. Courtesy of the artist, Kukje Gallery, Seoul and Nils Stærk, Copenhagen.
(2nd) Installation view of WEST IS EVERYWHERE YOU LOOK, 2016, Francesca Minini, Milan. Courtesy of the artist.

RELATED CATEGORIES

Argentina / Brazil / Collage / Colonial History / Colonialism / Displacement / Drawing / Eurocentrism / Geoplitics / Imperialism / Installation / Modernist Idea of Progress / Performance / Poetic Imagery / Power / Space Installation / Sweden / Video / Video Installation

CURRICULUM VITAE

Education

  • 2008
    Whitney Independent Study Program, New York
  • 2003
    MFA., Malmö Art Academy, Malmö, Sweden
  • 2001
    BFA., Academy of Fine Art Valand, Gothenburg, Sweden

Solo Exhibitions

  • 2016
    West Is Everywhere You Look, Francesca Minini, Milan
  • 2015
    Lacuna, curated by Diana Baldon and Nicola Lees, Mendes Wood DM, São Paulo
  • Carla Zaccagnini and Runo Lagomarsino, Malmö Konsthall, Malmö, Sweden

Group Exhibitions

  • 2017
    Gridded Currents, Kukje Gallery, Seoul
  • Wer ist noch österreichisch?, curated by Luigi Fassi, Kunst Meran, Merano, Italy
  • La Terra Inquieta, curated by Massimiliano Gioni, Fondazione Trussardi, Milan

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Curriculum Vitae

Educations

  • 2008
    Whitney Independent Study Program, New York
  • 2003
    MFA., Malmö Art Academy, Malmö, Sweden
  • 2001
    BFA., Academy of Fine Art Valand, Gothenburg, Sweden

Solo Exhibitions

  • 2016
    West Is Everywhere You Look, Francesca Minini, Milan
  • 2015
    Lacuna, curated by Diana Baldon and Nicola Lees, Mendes Wood DM, São Paulo
  • Carla Zaccagnini and Runo Lagomarsino, Malmö Konsthall, Malmö, Sweden
  • They Watched Us For a Very Long Time, curated by Sophie Kaplan, La Criée Centre for Contemporary Art, Rennes, France
  • 2014
    Barbro & Holger Bäckströms Award, curated by Cecilia Widenheim, Malmö Art Museum, Malmö, Sweden
  • Against My Ruins, Nils Stærk, Copenhagen
  • Ears Go Deeper Than Eyes Can See, Umberto Di Marino, Naples
  • 2013
    This Thing Called the State, curated by Marienne Hultman, Oslo Kunstförening, Oslo
  • The G in Modernity Stands for Ghosts, Mellanrummet, Nils Staerk, Copenhagen
  • We Have Everything, but That's All We Have, Mendes Wood DM, São Paulo
  • For Each Light a Shadow, Ignacio Liprandi Arte Contemporáneo, Buenos Aires
  • 2012
    Even Heroes Grow Old, curated by Helena Holmberg, Index - The Swedish Contemporary Art Foundation, Stockholm
  • U-Turn, Arteba with Nils Stærk, Buenos Aires, Argentina
  • 2011
    OtherWhere, Nils Stærk, Copenhagen
  • Hay siempre un día mas lejos, Galeria Luisa Strina (Espaço projeto), São Paulo
  • Violent Corners, curated by Luigi Fassi, ar/ge kunst Galerie Museum, Bolzano, Italy
  • Trans Atlantic, Art Statements, Basel
  • 2010
    The G in Modernity Stands for Ghosts, curated by Miguel Amado, Centro de Artes Visuais, Coimbra, Portugal
  • Between an Imperial System and a Metric System, curated by Luigi Fassi, Present Future, Artissima, Torino, Italy
  • Horizon (Southern Sun Drawing), curated by Adriano Pedrosa, Zona Maco, Mexico City
  • Las Casas Is Not a Home, Elastic, Malmö, Sweden
  • 2009
    Las Casas Is Not a Home, Mummery+Schnelle, London
  • 2007
    Those Who Control the Past Command the Future - Those Who Command the Future Conquer the Past, curated by Tone O Hansen, Overgaden, Copenhagen
  • 2006
    Out of Sight (with Johan Tirén), Gallery Verkligheten, Umeå, Sweden
  • This Is No Time for Saluting Flags, Elastic, Malmö, Sweden
  • Extended Arguments, Gallery Box, Gothenburg, Sweden
  • 2005
    Extended Arguments, Gallery Muu, Helsinki
  • Där uppgifter saknas beror det på att situationen är oklar, Elastic, Malmö, Sweden
  • 2003
    I Suppose That Sometimes You Have to Burn the Sky, Krognoshuset Aura, Lund, Sweden
  • Gallery Mors Mössa, Göthenburg, Sweden
  • In My Dreams Europe Is Always Less Than a Metre, Gallery Peep, Malmö, Sweden
  • 2001
    Schengenland (Histories That Nothing Are), Båstadsgatan 4, Malmö, Sweden (with Stewen Cutzner)

Group Exhibitions

  • 2017
    Gridded Currents, Kukje Gallery, Seoul
  • Wer ist noch österreichisch?, curated by Luigi Fassi, Kunst Meran, Merano, Italy
  • La Terra Inquieta, curated by Massimiliano Gioni, Fondazione Trussardi, Milan
  • Neither, curated by Fernanda Brenner, Mendes Wood DM, Brussels
  • Canibalia, curated by Julia Morandeira Arrizabalaga, Hangar, Lisbon
  • Monumentos, anti-monumentos y escultura pública, curated by Pablo León de la Barra and Viviana Kuri, Museo de Arte de Zapopan, Guadalajara, Mexico
  • Lives Between, curated by Joseph del Pesco, Kadist, San Francisco
  • Almost There, curated by Kyongfa Che and Patrick Flores, Vargas Museum, Manila
  • Point of Departure, curated by Magnolia de la Garza and Patrick Charpenel, works from the Isabel and Agustín Coppel Collection (CIAC), Sala de Arte Santander, Madrid
  • Displacement (Prologue), curated by Lilou Vidal, Bureau des Réalités, Brussels
  • 2016
    The Artist, curated by Andreas Nilsson and John Peter Nilsson, Moderna Museet, Malmö, Sweden
  • Malmös Leende, curated by Edi Muka, Statens konstråd, Malmö, Sweden
  • The Winter of Our Discontent, curated by Jacopo Crivelli Visconti, Galerie Martin Janda, Vienna
  • Nur im Okzident, curated by Luigi Fassi, MAM Mario Mauroner Contemporary Art, Vienna, Austria
  • Yoko Ono. Dream Come True, curated by Gunnar B. Kvaran and Agustín Pérez Rubio, MALBA, Buenos Aires
  • Descent, curated by Charlotte Ickes, Institute of Contemporary Art, Philadelphia
  • The Artist, curated by Andreas Nilsson and John Peter Nilsson, Nationalmuseum, Stockholm and Moderna Museet, Malmö, Sweden
  • The Appel-Haken Proof, Vermilion Sands, Copenhagen
  • Depois do Futuro, curated by Daniela Labra, Parque Lage, Rio de Janeiro, Brazil
  • Under the Same Sun, curated by Pablo León de la Barra, Museo Jumex, Mexico City and South London Gallery, London
  • 2015
    A Story within a Story, curated by Elvira Dyangani Ose, Göteborg International Biennial for Contemporary Art, Gothenburg, Sweden
  • All the World’s Futures, curated by Okwui Enwezor, The 56th Venice Biennale, Venice
  • The Migrant (Moving) Image, A Tale of a Tub, Amsterdam, Netherlands
  • Dérive Dérivée, curated by Angelique Campens, CAB Art Center, Brussels
  • United States of Latin America, curated by Jens Hoffmann and Pablo León de la Barra, Museum of Contemporary Art Detroit, Detroit
  • Southern Panoramas - 19th Contemporary Art Festival Sesc Videobrasil, São Paulo, Brazil
  • Grito de Libertad - Bienal Internacional de Asunción, Asunción, Paraguay
  • The Monochrome Symphony, curated by Bo Nilsson, Single-colored Constellations of Art, Design, Fashion and Music, Artipelag, Stockholm
  • Ophelia - Della muta eloquenza, curated by Paola Caravati, Artopia Gallery, Milan, Italy
  • The Coming Museum, curated by Filipa Oliveira, Fórum Eugénio de Almeida, Évora, Portugal
  • Canibalia, curated by Julia Morandeira Arrizabalaga, Kadist Art Foundation, Paris
  • Symphonic Node, curated by Pick Nick, Paleomylos, Greece
  • 2014
    Really Useful Knowledge, curated by WHW, Museo Nacional Centro de Arte Reina Sofía, Madrid
  • Mark the Line, curated by Mikael Nanfeldt and Liv Stoltz, Göteborgs Konsthall, Gothenburg, Sweden
  • Forms of Distancing, curated by Luigi Fassi and Stefano Collicelli Cagol, Representative Politics and the Politics of Representation, Graz, Austria
  • Menagerie, or Artwork Not about Love, curated by Jaime Marie Davis and Katie Grace McGowan, Elaine L. Jacob Gallery, Wayne State University in Detroit, Michigan
  • We Hate in Order to Survive, curated by Jens Henricson and Ditte Ejlerskov, InterArt Center, Malmö, Sweden
  • Ir para volver (Leaving to Return), curated by Jacopo Crivelli Visconti and Manuela Moscoso), 12th Bienal de Cuenca, Cuenca, Ecuador
  • Under the Same Sun, curated by Pablo León de la Barra, Guggenheim Museum, New York
  • Beyond the Supersquare, curated by Holly Block and María Ines Rodríguez, The Bronx Museum of the Arts, New York
  • Idea of Fracture, curated by Jacopo Crivelli Visconti, Francesca Minini, Milan
  • Crítica de la razón migrante, curated by Carolina Bustamente Gutiérrez and Francisco Godoy Vega, La Casa Encendida, Madrid
  • Liberdade em movimento, curated by Jacopo Crivelli Visconti, Fundação Iberê Camargo, Porto Alegre, Brazil
  • Der Leone Have Sept Cenbeças, curated by Filipa Oliviera and Elfi Turpin, CRAC Alsace, Altkirch, France
  • 2013
    For No Apparent Reason, curated by Javier Hontoria, Centro de Arte Dos de Mayo, Madrid
  • Del Buen Salvaje al Conceptual Revolucionario: Mitos y Realidades de America Latina, curated by Pablo León de la Barra, Travesia 4, Madrid
  • Conversation Pieces, curated by Sophie Goltz, n.b.k., Berlin
  • Meeting Points 7: Ten Thousand Wiles and a Hundred Thousand Tricks, curated by WHW, M HKA, Antwerp, Belgium, Para Site, Hong Kong and Beirut Art Center, Beirut, Lebanon
  • Spaces of Action, curated by Maria do Mar Fazenda and Filipa Valladares, part of Trienal de Arquitectura, Lisbon
  • Victor, A, Judge William, Johannes (de silentio), Constantin, Vigilius, Nicolaus, Hilarius, Johannes (Climacus), H.H., Anti-Climacus et. al., Fotografisk Center, Copenhagen
  • Musée Imaginaire, curated by Jean de Loisy and Katell Jaffrès, part of Drawing Now, Paris
  • The Nordic Modell ®, curated by Cecilia Widenheim, Kim Einarsson and Stine Hebert, Malmö Art Museum, Malmö, Sweden
  • Nuevos Vínculos, Hacienda la Trinidad Parque Cultural, Caracas, Venezuela
  • X-Border Art Biennial, Luleå, Sweden
  • The Crisis of Confidence, curated by Lino Baldini and Marta Barbieri, Victoria Art Center for Contemporary Cultural Production, Bucarest, Rumania
  • Selection of works / touring exhibition from The 30th São Paulo Biennial - The Imminence of Poetics, Palácio das Artes, Belo Horizonte, Brazil
  • Landscape and the Contemporary Romantic, curated by Bettina Von Dziembowski, Rebecca Partridge and Randi Nygård, Kunstverein Springhornhof, Neuenkirchen, Germany
  • 2012
    A man is walking down the street. At a certain moment, he tries to recall something, but the recollection escapes him. Automatically, he slows down, curated by Luiza Teixeira de Freitas and Thom O´Nions, Cristina Guerra, Lisbon
  • A revolução tem que ser feita pouco a pouco - Parte III: Estratificacao e ruptura - O processo como forma and Parte IV: A revolução, curated by Jacopo Crivelli Visconti, Galeria Raquel Arnaud, São Paulo
  • The Future That Was (an exhibition proposition by Gabriel Lester), Smart Project Space, Amsterdam
  • Princípios Flexor, curated by Kiki Mazzucchelli, Gramatura, São Paulo
  • The Way of the Worlds, curated by Beatrice Jones, Frac Lorraine, Metz, France
  • Fútbol - Arte y Pasión, curated by Patrick Charpenel and Mauricio Maillé, Museo de Arte Contemporáneo de Monterrey, Mexico
  • Salvajes - Digesting Europe Piece by Piece, curated by Guillermo Creus and Aukje Lepoutre Ravn, Traneudstillingen Exhibition Space, Copenhagen
  • Show Off, curated by Jacob Fabricius, Malmö Konsthall, Malmö, Sweden and Point Centre for Contemporary Art, Nicosia, Cyprus
  • Nils Stærk, curated by Nikolaj Stobbe, Copenhagen
  • Iemanjá Claus, Mendes Wood DM, São Paulo, Brazil; Diana Stigler, Amsterdam
  • Le Prince des Rayons, Galerie VidalCuglietta, Brussels
  • F for Freedom, curated by Alexandre Melo, Galeria Filomena Soares, Lisbon
  • Utopraxia, curated by Evangelia Ledaki, TAF / The Art Foundation, Athens
  • The 30th São Paulo Biennial, curated by Luis Pérez-Oramas, The Imminence of Poetics, São Paulo
  • The Unexpected Guest, curated by Lorenzo Fusi, Liverpool Biennial, Liverpool
  • Unfinished Journeys, curated by Sabrina van der Ley and Andrea Kroksnes, The National Museum of Norway, Museum of Contemporary Art, Oslo
  • From the Closed World to the Infinte Universe, curated by Marc Bembekoff, Le Quartier, Centre d’art contemporain de Quimper, Quimper, France
  • Posters, curated by Jacob Fabricius, Souvenirs and Other Stuff, The Armory Show, New York
  • 2011
    Encounter with Hill - Selections from the Malmö Art Museum, curated by Åsa Nacking, Lunds Konsthall, Lund, Sweden
  • Responding to the New Moon: Prologue, curated by Övül Durmusoglu, Galerie Tanja Wagner, Berlin
  • Victims and Martyrs, curated by Anna Johannson, Göteborgs Konsthall, Göthenburg, Sweden
  • Landscape and Memory, Patrick Heide Contemporary Art, London
  • Mutual Matters, curated by Kim Einarsson and Petra Bauer, Konsthall C, Stockholm
  • The Walls That Divide Us, curated by Miguel Amado, ApexArt, New York
  • A Política do Cotidiano, curated by Moacir Dos Anjos and Kiki Mazzucchelli, Itaú Cultural, São Paulo
  • Untitled (12th Istanbul Biennial), curated by Adriano Pedrosa and Jens Hoffmann, Istanbul
  • Speech Matters, curated by Katerina Gregos, Danish Pavilion at the 54th Venice Biennale, Venice
  • The Third Sculpture, curated by Krist Gruythuysen, Straat van Sculpturen, Amsterdam
  • The Crisis of Confidence, curated by Lino Baldini and Marta Barbieri, Prague Biennale 5, Prague
  • Guest Nation Brazil...Tudo è, curated by Alberto Salvadori and Andrea Lissoni, Fondazione Pitti, Florence
  • The Future Generation Art Prize @Venice, Collateral Event of the 54th Venice Biennale, Venice
  • Tracks - New Acquisitions in Malmö Art Museum's Collection, Malmö Art Museum, Malmö, Sweden
  • Angry - The Representation of Radicalisation Netherlands, FotoMuseum, Rotterdam, Netherlands
  • Stories, in Between, Stiftelsen 3,14, curated by Johan Lundh and Aileen Burns, International Contemporary Art Foundation, Bergen, Norway
  • 2010
    The Future Generation Art Prize, PinchukArtCentre, Kiev, Ukraine
  • The Moderna Exhibition 2010, curated by Fredrik Liew, Gertrud Sandqvist and Lisa Rosendhal, Moderna Museet, Stockholm
  • In Transition: 2010 CIFO Grants & Commissions Program Exhibition, The Cisneros Fontanals Art Foundation, Miami
  • Land of Human Rights, curated by , 4th Poster Campaign
  • Monkey See Monkey Do, curated by Tetriss Produktion, Montehermoso Cultural Center, Vitoria-Gasteiz, Spain
  • Notes on Memory, curated by Sophie Goltz, IG Bildende Kunst, Vienna
  • Vectors of the Possible, curated by Simon Sheikh, BAK, Utrecht, Netherlands (with Johan Tirén)
  • The Traveling Show, curated by Johan Lundh, Botkyrka Konsthall, Tumba, Sweden
  • Freeze, curated by Caroline Bøge, Nils Stærk, Copenhagen
  • The Philosophy of Money, curated by Miguel Amado, Lisbon City Museum, Lisbon
  • All That Is Solid Melts into Air: The Social at the Berardo Collection, curated by Miguel Amado, Museu Colecção Berardo, Lisbon
  • The Horizon Line Is Here (Tornare Per Partire), curated by Lorenzo Bruni, Umberto di Marino Gallery, Naples
  • The Traveling Show, curated by Adriano Pedros, Colección Jumex, Mexico City
  • Tristes Tropiques, curated by Pablo León de la Barra, The Barber Shop, Lisbon
  • One Shot! Football and Contemporary Art, B.P.S.22, Space for Contemporary Creation, Charleroi, Belgium
  • 2009
    Free as Air and Water, curated by Saskia Bos and Steven Lam, Cooper Union, New York
  • Photography Now: 2009, Centrum för Fotografi, curated by Liv Stoltz and Aura Seikkula, Stockholm
  • Mamõyguara opá mamõ pupé - Panorama da Arte Brasileira, curated by Adriano Pedrosa, Museu De Arte Moderna, São Paulo
  • Delocalisation, curated by Fatos Ustek, Exit Project Space, Skopje, Republic of Macedonia
  • Report on Probability, curated by Adam Szymczyk, Kunsthalle Basel, Basel
  • Read Thread - A Prologue to the 11th International Istanbul Biennale, curated by WHW, Tanas, Berlin
  • This Is the Score, Part II, Elastic, Malmö, Sweden
  • Galleri Nova, curated by WHW, Zagreb
  • Miguel Amado Presents, ISCP, New York
  • Risk - Luleå Art Biennale, curated by Jan-Erik Lundström, Luleå, Sweden
  • A Space on the Side of the Road, curated by Henrik Andersson and Kajsa Dahlberg, Röda Sten, Göthenburg, Sweden
  • 2da Trienal Poli/Gráfica de San Juan: América Latina y el Caribe, curated by Adriano Pedrosa, Julieta González and Jens Hoffmann San Juan, Puerto Rico
  • This Is Not America, El Descanso del Guerrero, curated by Pablo León de la Barra, San Juan, Puerto Rico
  • Changing Light Bulbs in Thin Air, curated by Summer Guthery, Hessel Museum of Art, Bard College, New York
  • Notes from the Living Dead Museum, Living Art Museum, Reykjavik
  • Posted 4: Private Talk, Public Space (with Johan Tirén), Cork, Ireland
  • 2008
    Between the Images - Imaginable Experiences for Future Memories, curated by Petra Bauer, Kim Einarsson and Helena Holmberg, Exposeptember / Iaspis, Stockholm
  • Ours: Democracy in the Age of Branding, curated by Carin Kuoni, New School, Parsons, New York
  • Salon of the Revolution, curated by Ivana Bago and Antonia Majaca, HDLU - The House Of Artists, Zagreb
  • Try Again, Fail Again, Fail Better, curated by Hajnalka Somogyi, Mucsarnok Kunsthalle, Budapest
  • no no no no no no no no no no no no there's no limit, Signal, Malmö, Sweden
  • Annual Report: A Year in Exhibitions - The 7th Gwangju Biennale, curated by Okwui Enwezor, Hyunjin Kim and Ranjit Hoskote, Gwangju, Korea
  • Farewell to Post-Colonialism - The Third Guangzhou Triennial, Guangdong, China
  • TINA B - The Prague Contemporary Art Festival, Prague
  • AutoStop, curated by Jacob Fabricius, Malmö Konsthall, Malmö, Sweden
  • Art Reclaims Foreign Affairs, curated by , Ljubljana, Slovenia
  • Whitney Independent Study Program Exhibition, New York
  • The Unfair Fair 1:1projects, curated by Cecilia Canziani and Vincent Honoré, Rome
  • Out of Place, curated by Filmform, Cinemateket, Stockholm
  • 2007
    Movement, Contingency, Community, curated by Hyunjin Kim, Gallery27, Kaywon School of Art & Design, Seoul
  • Hope Is a Good Thing, curated by Borga Kanturk, AtelierFrankfurt, Frankfurt
  • Ground Lost, curated by WHW, Galerija Nova, Zagreb and Forum StadtPark, Graz, Austria
  • Imagine Action, curated by Emily Pethick, Lisson Gallery, London
  • Heterotopias - 1st Thessaloniki Biennale, curated by Jan-Erik Lundström, Thessaloniki, Greece
  • I Want to Be Able to See What It Is, Lunds Konsthall, Lund, Sweden
  • 2006
    Time, Space and Disorientiation, curated by Marianna Garin, Borgovico 33, Como, Italy
  • Posters for Re-making the World, Ynkb, Copenhagen
  • We All Laughed at Christopher Columbus, curated by Krist Gruythuysen and November Paynter, Platform Garanti, Istanbul, Turkey and Stedjlik Museum Bureau, Amsterdam
  • Should I Stay or Should I Go? On Secondary Cities, curated by Ditte Lyngkær Pedersen, Jee-Eun Kim and Christian Schult, Rum 46, Århus, Denmark
  • 2005
    Malmö Art Academy 10th Anniversary, Rooseum, Malmö, Sweden
  • 2004
    Minority Report: Challenging Intolerance in Contemporary Denmark (with Johan Tiren), curated by Trine Rytter Andersen, Kirsten Dufour, Tone O. Nielsen and Anja Raithel, Åarhus, Denmark
  • Galleri Arnstedt och Kullgren, Båstad, Sweden
  • 2003
    Look into the Future - and Understand, Why, curated by Jan Christensen, Iaspis Gallery, Stockholm
  • After the Future - 10th Biennial of Moving Images, curated by Lesley Young and Charles Esche, Centre for Contemporary Images, Saint-Gervais Genève, Geneva
  • Go, curated by Elena Tzotzi, Liquidacion Total, Madrid
  • 2001
    To Accept, Folkets Hus, Malmö, Sweden

Grants & Awards

  • 2014
    Barbro & Holger Bäckströms Award, Malmö, Sweden
  • 2012
    2 year working grant, The Arts Grants Committee, Sweden
  • 2010
    The Cisneros Fontanals Art Foundation, Grants & Commissions Program
  • 2009
    Längmanska Kulturfonden
  • 2008
    Helge Ax:son Johnsons Stiftelse
  • 2007
    KulturKontak Nord
  • 2005
    Aase & Richard Björklunds fond, Malmö Art Museum
  • Lunds Konsthalls Vänner
  • 2004
    Working grant, The Arts Grants Committee, Sweden
  • 2003
    Helge Ax:son Johnsons Stiftelse

Collections

  • Cisneros Fontanals Art Foundation, Miami, USA
  • Collection Paulo A. W. Vieira, Rio de Janeiro and São Paulo, Brazil
  • Coppel Collection, Mexico City, Mexico
  • Fondazione Morra Greco, Naples, Italy
  • Guangdong Museum of Art, Guandong, China
  • Guggenheim Museum, New York, USA
  • Kiasma, Helsinki, Finland
  • Lund City Art Collection, Lund, Sweden
  • Malmö Art Museum, Malmö, Sweden
  • Moderna Museet, Stockholm, Sweden
  • Nomas Foundation, Rome, Italy
  • Nordic Contemporary Art Collection, Stockholm, Sweden
  • Sveriges Allmänna Konstförening, Stockholm, Sweden
  • Teixeira de Freitas' Art Collection, Lisbon, Portugal
  • The National Museum of Art, Oslo, Norway

Exhibitions on Eazel